MATTHEW Herbert
Matthew Herbert is a musician and producer working mainly in the field of electronic music. Coming from a classical training he quickly turned to electronic and experimental music with the discovery of college samplers. He is one of the few independent artists to have had a significant impact on the media and the public while constantly striving to innovate and experiment.
He is very attached to the political impact that takes an important place in his music and especially his Lives. He thus openly criticizes the consumer society by creating electronic music from object noise such as hamburgers or bathing swimsuits live with the help of a sampler as well as a sequencer.
His musical singularity has allowed him a worldwide fame in the field of electronic music production, but also classic with collaborations with orchestras.
He has also participated in the production of sounds for cinema and theater.
LIVE
Matthew Herbert attaches particular importance to the realization of live shows his musical production system. The artist composes on stage using different objects that he comes to feel and play. The understanding of this scene and especially the live viewing reflects a great energy that comes to make theatrical electronic music.
MUSICAL ANALYSIS Marlies Hoeniges
Marlies Hoeniges is a music produced by Matthew Herbert for the album One Club released in 2010 with the label Accidental Records. Robert Johnson’s The Nightclub in Frankfurt.
To make her recordings Herbert install microphones in all the rooms of the nightclub, from the dancefloor to the taxi passing by the toilets.
The sound eclectic is complex, it invites to grasp all the complexity with which Matthew composes his music.
IRCAM «Espro room» Paris
The «espro» room is an acoustic room that is partly variable to the IRCAM underground complex. It is a center of research, technological innovation and musical creation created in 1969 at the request of George Pompidou. This building is located in front of the Pompidou center, mainly underground, to protect the outside noise.
The study room can be used as a concert hall, recording studio and acoustic experimentation site thanks to its variable acoustic qualities.
The specificity of the room rests on walls composed of prismatic modules with three faces called pericles.
BERNARD LEITNER Ton-Röhre
Bernhard Leitner, architect, sculptor and musician, has been focusing since the late 1960s on the close relationship between sound, space and body.
He made artistic installations, all usable and accessible.
He conceives real spaces thanks to sounds with a work based on an artistic approach of the physical and acoustic analysis of spaces formed exclusively by sound.
It creates a sound that delimits a space and provides a path. Spaces that can not be visually fixed and that are not perceptible from the outside, audible spaces that can be felt with the whole body.
PROJECT
Link for full quality : https://drive.google.com/open?id=0B4QcEt_gRILTUGdINWlwRkpkdVU
